Muslims

Life in the fast lane, as thousands roar past every day wondering why there is a farm in the middle of a motorway, and why anyone would live there.

Christmas in Belfast at the height of 'The Troubles'. Not the most wonderful time of year.

Hold on tight for a joyous ride around 1935 Glasgow's bustling road, rail and river transport network in this Scottish educational film.

1950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.

“It would be difficult to find a more lovely train journey”, declares Swansea’s Librarian, the film-maker and narrator. Prepare to be beguiled, station by station.

Midsummer haymaking larks

Meeting the everyday basic needs of the locals: keeping the family clean, warm and well fed.

Juno-Junipah, for girls, who “want to be bright, vivacious, attractive and slim”, and Carters Little Liver Pills to rejuvenate the elderly.

Tuning into the biggest consumer market for television advertising in Britain with Trident TV.

No wearisome overblown advertising for cinema-goers back in 1931, just straightforward advice: don’t risk accidents and “Don’t buy a dud!”

Without trying to be too clever, these advertisements demonstrate the virtue of the uncomplicated: short, sweet and memorable.

Numerous victims of the horrendous 1985 fire at Valley Parade manage to find positive outcomes to their suffering in this poignant film.

Irma Vep writer/director Assayas moved from film journalism to filmmaking – a fascinating journey told with disarming honesty to Jonathan Romney.

L.A. Confidential's screenwriter explains why he thinks writer's block is a myth, and reveals Clint Eastwood's unique powers of persuasion.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.