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A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

The troubled lives of four desperate people unfold over the course of a single day, in this melahcoly masterpiece about the human condition — director Hu Bo’s first and, tragically, final feature.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

Albert Serra’s hypnotic Palme d'Or-nominated drama about the greed and hypocrisy of colonial power in Tahiti.

Bullied for her sexuality, Dublin schoolgirl Lily turns to her gay best friend for support in this vibrant coming-out, coming-of-age drama.

Stranded in a surreal winter landscape, a drunken applejack salesman must become North America's greatest fur trapper in Mike Cheslik’s gloriously anarchic slapstick comedy.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.

Kathleen Collins’ debut feature about three brothers tasked with renovating an elderly woman’s mansion so she can host one last party before she dies.

Guillermo del Toro’s Cannes prize-winning directorial debut offers a unique take on the classic vampire story.

Adam Elliot’s Oscar-nominated tale of separated twins in 1970s Australia is a funny and moving stop-motion triumph.

Haunting Irish folk-horror, from the writer of The Blood on Satan’s Claw, about an introverted farm girl suspected of witchcraft.

Tatiana Huezo’s poetic documentary captures a holistic view of the rhythms of life in a remote Mexican village.

In Mai Zetterling’s scathing rebuke of European entitlement, a man returns to his childhood home and confronts his repressed memories and desire.

Three expectant mothers on a maternity ward recall their personal and sexual experiences in Mai Zetterling’s bold, subversive debut.

Three stage actresses starring in Aristophanes’ classic play Lysistrata start to draw parallels with their own lives in Mai Zetterling’s feminist comedy.