Fanny and Alexander

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.

Kathleen Collins’ debut feature about three brothers tasked with renovating an elderly woman’s mansion so she can host one last party before she dies.

Bi Gan's ‘destroyed film noir' is a dazzling dive into an immersive dreamscape.

Elliott Gould joins Ingmar Bergman regulars Bibi Andersson and Max von Sydow in this neglected classic from the great director, about infidelity and a toxic love triangle.

Ingmar Bergman’s best-known film is a brilliant allegorical drama starring Max von Sydow as a knight trying to elude his own death.

Ingmar Bergman’s sole film with his namesake Ingrid sees her as a famous concert pianist visiting her daughter, played by a third giant of Swedish film, Liv Ullmann.

Ingmar Bergman’s Cannes prize-winning comedy assembles various couples in a country house in 1900.

The first part of Ingmar Bergman's 'Faith Trilogy', about a writer (Björnstrand) who joins his daughter, son and son-in-law on holiday, where tensions soon arise.

A dying woman (Harriet Andersson) is attended to in her rural mansion by her sisters, in Ingmar Bergman's vivid examination of the human soul.

A dying woman (Harriet Andersson) is attended to in her rural mansion by her sisters, in Ingmar Bergman's vivid examination of the human soul.

A nurse and an actress who refuses to speak seem to fuse identities in Ingmar Bergman’s disturbing, formally experimental psychological drama.

Ingmar Bergman’s sole film with his namesake Ingrid sees her as a famous concert pianist visiting her daughter, played by a third giant of Swedish film, Liv Ullmann.

Two sisters, one ailing, the other with her young son, check into a hotel in a foreign city readying itself for war, in Ingmar Bergman's nightmarish vision of emotional isolation.

The first part of Ingmar Bergman's 'Faith Trilogy', about a writer (Björnstrand) who joins his daughter, son and son-in-law on holiday, where tensions soon arise.

Ingmar Bergman's highly personal treatise on the torments of faith, in which a widowed village pastor struggles to deal with his parishioners and ex-lover.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.

Kathleen Collins’ debut feature about three brothers tasked with renovating an elderly woman’s mansion so she can host one last party before she dies.

Bi Gan's ‘destroyed film noir' is a dazzling dive into an immersive dreamscape.