The Queen

Steve Coogan is superb as a disillusioned teacher whose life is turned upside-down when he rescues a penguin in turbulent 1970s Argentina.

An online scam leads to deadly consequences in Kurosawa Kiyoshi’s chilling tech thriller.

Tensions rise in a frenzied New York diner, in this loose reworking of Arnold Wesker’s 1957 play.

French provocateur Alain Guiraudie's rural homecoming story mixing passion, crime, mushrooms and bedroom farce to dizzily involving effect.

Golden Globe-nominated Pamela Anderson is enchanting as the Las Vegas showgirl whose stage show is set to close.

Jon drives his mums corpse across Iceland in Hilmar Oddsson’s darkly comic odyssey of self-discovery and acceptance, beautifully filmed in crisp black and white.

Porn star Linda Lovelace (Amanda Seyfried) finds herself abused by the industry and her maniacal husband– so she sets off to embrace feminism and, vitally, herself.

The life story of Ian Curtis, the tortured singer of Joy Division who suffered epilepsy and crippling self-doubt, filmed in stunning monochrome.

A deeply insecure young Morrissey dreams of escaping drudgery but seeks the confidence to bloom, in this captivating account of The Smiths' genesis.

Annette Bening and Jamie Bell bring to life the true story of the love affair between Gloria Grahame and young, Liverpudlian actor Peter Turner.

From the Oscar-winning director of The Artist, a brilliantly realised portrait of France’s maestro director Jean-Luc Godard spiralling into philosophical and romantic crisis.

Helen Mirren and Alan Rickman (in his last role) play the military commanders caught in the ethical crosshairs of drone warfare, in Gavin Hood’s gripping military thriller.

Bryan Cranston (Breaking Bad, Argo) gives a cracking performance as Dalton Trumbo, the Oscar-winning screenwriter who became a Hollywood outcast.

Roger Michell's final feature film stars Jim Broadbent and Helen Mirren in an uplifting true story about an eccentric art heist.

Charting the rise of one of Britain's most distinctive film companies, HandMade Films, producer of classics such as Life of Brian, The Long Good Friday and Withnail and I.

The line "the counterfeit presentment of two brothers" inspires a radical rethink of Hamlet, starring identical twins.

Rowan Joffe's adaptation of Graham Greene’s famous novel brings the doomed love story between Pinkie Brown (Sam Riley) and Rose (Andrea Riseborough) back to the screen with grit and panache.

The return of beautiful journalist Tamara Drewe (Gemma Arterton) awakens destructive passions in a Dorset village.

Stephen Frears and Steve Coogan (Philomena) reunite for this uplifting underdog story about a Richard III enthusiast (Sally Hawkins) who made global headlines when she dug up what became the most notorious car park in the world.

Ian McKellen and Stephen Frears reunite for the sequel to their TV play Walter. The titular character (McKellen) meets a young mother (Sarah Miles) who is suicidally depressed; the two support one another to cope with life in a closed institution.

Ian McKellen stars in Stephen Frears' TV play as Walter, a man with learning difficulties who's put in an institution after the death of his mother.

Meryl Streep plays the wealthy socialite determined to make it as an opera singer despite being tone deaf, in a delightful comedy from Stephen Frears.

Ben Foster is Lance Armstrong in this kinetic account of the cyclist who fell from grace, from acclaimed director Stephen Frears.

A tragedy shatters the idyllic world of a family living off-grid in the Norwegian wilderness.

Captivating insight into the controversial filmmaker Leni Riefenstahl, who became world-famous for her Nazi propaganda.

A candid portrait of a literary sensation that’s as enchanting as O’Brien’s wonderful novels.

Steve Coogan is superb as a disillusioned teacher whose life is turned upside-down when he rescues a penguin in turbulent 1970s Argentina.

An online scam leads to deadly consequences in Kurosawa Kiyoshi’s chilling tech thriller.

Tensions rise in a frenzied New York diner, in this loose reworking of Arnold Wesker’s 1957 play.