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Victor Kossakovsky’s film essay looks at the way we have constructed our built world through a series of breathtaking sequences.

Akerman’s introspective apartment-bound reflection on isolation and confinement.

A hypnotic tour of a New York hotel that proves that nighttime is Akerman time.

A celebration of Akerman’s longtime collaborator, cellist Sonia Wieder-Atherton, showing her artistry as she plays and discusses her life in music.

This new video essay by writer and critic Jessica McGoff, traces the restless movement in the works of Chantal Akerman, where the concept of home is always slipping just out of reach.

All We Imagine as Light director Payal Kapadia’s bold and distinctive feature debut explores the political climate of contemporary India.

Chantal Akerman’s plays a manic heroine in her early, incendiary critique of domesticity and conformity.

Akerman’s debut feature, with its 10-minute lesbian sex scene, revealed its maker to be a radical and uncompromising force in cinema.

Akerman’s introspective apartment-bound reflection on isolation and confinement.

Chantal Akerman’s plays a manic heroine in her early, incendiary critique of domesticity and conformity.

A quasi self-portrait that was unfairly neglected on its release, this road movie is a profound musing on loneliness, displacement and the long shadow of the war.

A hypnotic tour of a New York hotel that proves that nighttime is Akerman time.

Akerman’s debut feature, with its 10-minute lesbian sex scene, revealed its maker to be a radical and uncompromising force in cinema.

A celebration of Akerman’s longtime collaborator, cellist Sonia Wieder-Atherton, showing her artistry as she plays and discusses her life in music.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.

Kathleen Collins’ debut feature about three brothers tasked with renovating an elderly woman’s mansion so she can host one last party before she dies.

Bi Gan's ‘destroyed film noir' is a dazzling dive into an immersive dreamscape.